It comes down to one number a lot of owners never calculate: your profit per chair under each model.
So booth rent or commission really comes down to one number a lot of owners never calculate: your profit per chair under each model. Booth rent gives you steady, predictable income, and you have far less control. Commission gives you more control and more upside, but it's more risk and more managing.
I'm not a CPA or an attorney, and Storm is a marketing agency, so this isn't tax or legal advice. What I can give you is a way to run the math yourself, what the IRS and the Department of Labor say about each setup, and the questions to take to the professionals before you choose.
Neither wins on paper
With booth rent, you get a fixed check whether the chair is busy or slow, and a stylist who runs her own show inside your walls. With commission, you share in every strong month and you carry every weak one, and you're the one setting the standards, the products, and the client experience. One is simpler, one is more powerful. And I think the right answer is whichever one leaves more in your pocket for the salon you actually want to run.
Booth rent only works if the renter is really independent
Here's the part that gets skipped. Booth rent isn't just a pay plan, it's a different relationship, and the paperwork doesn't decide it. The Department of Labor's misclassification myths page says "Signing an independent contractor agreement does not make you an independent contractor." The IRS general rule is that someone is an independent contractor if the person paying them "has the right to control or direct only the result of the work and not what will be done and how it will be done."
The IRS's own salon guide, Publication 4902 (dated February 2011), lists indications that a booth renter is independent: having a key, setting their own hours, buying their own products, having their own phone number and business name, and setting their own prices. Then it says "If these factors are not present, then you are likely an employee of the business who is providing the space to you."
So the real trade in booth rent is this. The steady check comes with letting go of the things on that list. Ask your CPA how much say you can keep over prices, hours, products and booking before the setup stops looking like rent. Our booth rental agreement guide walks through that list clause by clause.
What commission adds to your side of the ledger
If your commission stylists are on your payroll as employees, that comes with employer duties. Publication 4902 spells out the federal ones: "As an employer, federal law requires you to withhold taxes from your employees' paychecks." That means federal income tax, social security tax and Medicare tax withheld, plus your own share of social security and Medicare, which isn't taken out of their pay. You may also owe federal unemployment (FUTA) tax. Then there's Form 941 every quarter, Form 940 once a year, and a W-2 to each employee by January 31st.
That's just federal, and it's from a 2011 publication, so treat it as a starting list. Your state can add its own unemployment tax, workers' comp and wage rules. Our salon insurance guide covers the workers' comp question.
Wage and hour law matters here too. The Department of Labor's Fact Sheet 13 (revised March 2024) uses an economic reality test, and its goal "is to decide if the worker is economically dependent on the employer for work." That page also notes the 2024 rule behind it is in litigation and that the Department announced a proposed new rule on February 26, 2026, so ask what applies the year you decide.
Run both on your real numbers
Take one chair, one stylist, and one real month. Model the rent income against the commission split, after product and overhead. Then do it for a busy month and a slow one. The gap between them is your answer, and it's almost never the one you assumed.
Here's what that looks like with made-up numbers. Please don't copy them. Every input in this table is an example I picked to show the math, not a market rate, not a typical split, and not a tax rate. Swap in your own.
| One chair, one month | Booth rent, busy month | Booth rent, slow month | Commission, busy month | Commission, slow month |
|---|---|---|---|---|
| Money in to the salon (example) | $1,000 rent | $1,000 rent | $8,000 in services | $4,000 in services |
| Stylist's commission (example 45%) | n/a | n/a | minus $3,600 | minus $1,800 |
| Employer payroll costs (placeholder 10% of commission, ask your CPA for yours) | n/a | n/a | minus $360 | minus $180 |
| Product used on services (example 8% of services) | n/a | n/a | minus $640 | minus $320 |
| That chair's share of rent and utilities (example) | minus $150 | minus $150 | minus $150 | minus $150 |
| Front desk and marketing share (example) | n/a | n/a | minus $800 | minus $800 |
| Left for the salon | $850 | $850 | $2,450 | $750 |
Look at what happens in this example. Commission leaves nearly three times as much as booth rent in the busy month, and less than booth rent in the slow one. That's the whole trade in one table. Booth rent is flat. Commission swings with the book. And the booth rent column only holds if the chair stays rented and the rent gets paid, because an empty chair brings in nothing.
So build your own version with these lines:
- Rent you'd actually charge for that chair, and how many weeks a year you'd expect it filled.
- What that stylist really brings in during your busiest month and your slowest one, from your own booking reports.
- The commission split you'd offer.
- Your real employer cost on top of pay, from your CPA, not a guess.
- Product used on services, from your own invoices.
- The share of rent, utilities, front desk and marketing that chair carries under each model.
What the owners I interviewed chose
Greg Chavez reopened Salon Kreed in Colorado Springs as a commission salon in a market he described this way:
"90% booth renters. And then there's not a lot of education."
Greg Chavez, Salon Kreed
And he was clear about why he went the other way:
"To me, I believe in working with the group and building each other and helping each other grow."
Greg Chavez, Salon Kreed
Wendy McCown ran a commission salon for years before she sold it:
"We had a W-2 employee salon, a commission salon, and it was wonderful."
Wendy McCown
Now she offers studios to stylists who want their own business, and she's honest that it isn't for everyone either way:
"When you work in a commission salon, it's all done for you and you can still make a lot of money. But not everybody likes that. Some people want the freedom to make their own hours and all that stuff."
Wendy McCown
And Becky Dobbs, who runs a level system at Elleven Salon, put it simply:
"I have been in booth rental. For some people, they like that. I prefer working with a lot of people."
Becky Dobbs, Elleven Salon
I love that none of them says one model is right for everyone. They picked the one that fit the salon they wanted to build.
Questions to take to your CPA and attorney
- If I rent chairs, which of my current habits (setting prices, booking through my front desk, supplying product) could make renters look like employees?
- If I pay commission, what's my real cost per employee on top of pay, federal and state?
- How do minimum wage and overtime rules apply to commission pay in my state?
- Can I run both models under one roof, and what would have to be different between the two groups?
- If I switch models, what has to change, in what order, and what does it cost to switch?
Decide once, revisit yearly
Switching models later is expensive, because it can cost you the good stylists you built the place around. So decide with a spreadsheet, not a feeling. And look at it again once a year as your team changes.